Director Zach Cregger trades the frantic energy of Barbarian for something more sinister in his new movie, Weapons. It’s a patient and deeply unsettling horror-mystery built on a quiet dread and flawless ensemble cast. Check out my full review to see why its atmosphere is more terrifying than any jump scare.
Author Archives: Zachariah
Eddington Review – Ari Aster’s Western about Everything and Nothing
Ari Aster’s Eddington aims for pandemic parable meets western fable, but despite the craft, it lands with more indifference than impact.
Superman Review – James Gunn’s Love Letter to the Last Son of Krypton
James Gunn’s Superman (2025) is a bold, heartfelt reboot that reclaims the Man of Steel with sincerity, sharp character work, and David Corenswet’s instantly iconic take on Clark Kent.
The Summer Movie Overload – Are Studios Releasing Too Much, Too Fast?
Summer 2025 is packed with back-to-back movie releases from Jurassic World: Rebirth, Superman, and Fantastic Four. As a movie fan, I’m starting to feel the burnout. Are we getting too much, too fast?
Jurassic World: Rebirth Review – Making Me Feel Like a Kid Again
Jurassic World: Rebirth delivers heart, suspense, and awe. Director Gareth Edwards brings the franchise back to its roots with emotional and cinematic roots. Check out my review to see why I think this is the most Jurassic the series has felt since 1993.
Is Apple Becoming a Major Movie Studio? – Their Strategy to Rival the Big Five
Find out if Apple is on the path to becoming a major movie studio. I explore how their focus on quality and theatrical releases is challenging Hollywood’s giants.
28 Years Later Review – A Bleak, Brutal Return to Rage-Fueled Zombies
Danny Boyle and Alex Garland return with 28 Years Later, a bleak and self-contained zombie movie that revives the rage virus in all the right ways. It may not blow everyone away, but it’s the kind of infection story we’ve been waiting for.
Elio Review – Captures That Pixar Wonder, but Loses the Focus
I liked Elio. It’s good Pixar that does what it needs to do, but it’s not hitting those top-tier heights we know the studio can reach. My review on why this enjoyable space adventure gets scattered trying to handle too many ideas at once.
Déjà Vu With Pixar’s Elio: Is Disney’s Marketing Problem Repeating Itself?
Despite great buzz, Pixar’s Elio is tracking for a box office flop. Is this a pattern? I explore Disney’s marketing failures and ask if Pixar can survive them.
The Movie That Taught Me Heroes Could Be Human: 20 Years of Batman Begins
Is Batman Begins better than The Dark Knight? 20 years on, discover why its focus on a flawed, human hero makes it the most profound film of Nolan’s trilogy.
